The Thomas and Jane Welsh Carlyle Papers is a digital archive of “Correspondence, fragments, and notes” created from manuscript materials now held at the David M. Rubenstein Rare Book & Manuscript Library, Duke University. Although some of the these documents have been published in both the Collected Letters and the Carlyle Letters Online, many of them have not. Users of the CLO are able for the first time to interact with both the holograph images and the edited transcriptions of this remarkable archive.
TC to John Ferguson, 2 July 1820
TC to John Taylor, 20 September 1824
TC to Basil Montagu, 15 October 1825
TC to John A. Carlyle, 21 February 1826
TC to John A. Carlyle, 30 May 1826
TC to Thomas Murray, 20 June 1826
JWC to Anna D.B. Montagu, 7 May 1827
JWC to Anna D.B. Montagu, 2 September 1827
TC to Robert Jeffrey of Girthon, 18 September 1832
TC to Margaret Scott, 10 April 1838 [not yet pbd.]
TC to James Fraser, 9 December 1839
Richard Monckton Milnes to John Mitchell Kemble, 6 February 1840 [not yet pbd.]
TC to Archibald Prentice, 9 May 1842
JWC to Anna Brownell Jameson, 7 October 1842
JWC to Anna Brownell Jameson, 24 October 1842
TC to [Alexander John] Scott, 13 April 1843 [not yet pbd.]
TC to Basil Montagu, 19 May 1843
TC to James Anthony Froude, 8 June 1843 [not yet pbd.]
TC to B.W. Procter, 2 October 1843
TC to Lord Mahon, 21 April 1844
TC to B.W. Procter, 25 April 1844
TC to [William Hall], 26 March 1844
TC to [Edward Chapman?], 17 January 1845
TC to Eliza Fletcher, 9 May 1845
JWC to Anna Brownell Jameson, 17 June 1846
TC to UC, 23 October 1845 [not yet pbd.]
JWC to Anna Brownell Jameson, 4 December 1845
TC to John Kenyon, 13 April 1847
TC to William Hanna, 22 November 1847
TC to Henry M’Cormac, 16 May 1848
TC to Samuel Laurence, 14 June 1848
TC to John Stores Smith, 14 October 1848
TC to W.E. Forster, 25 June 1849
TC to Charlotte Williams Wynn, 27 November 1849 [not yet pbd.]
TC to [William Maccall?], 27 February 1850
TC to Charles Kingsley, 1 March 1850
TC to George Johnston, 23 August 1850
TC to UC, 6 December 1850 [not yet pbd.]
TC to Thomas Woolner, 10 June 1851
TC to Thomas Erskine, 5 January 1852
TC to Henry Larkin, 29 March 1852
TC to J.W. Parker, 16 August 1852
JWC to Lady Stanley, 13 September 1852
TC to Richard Owen, 9 May 1853
TC to Arthur Helps, 18 June 1853
TC to Anna Blackwell, 30 October 1853
TC to John A. Carlyle, 27 June 1855
TC to [Alicia A. Moore], 10 November 1855
TC to Henry Larkin, 14 December 1856
TC to James Aitken, 29 May 1857
JWC to Lady Stanley, 20 December 1857
JWC to Lady Stanley, 1857 [not yet pbd.]
JWC to Lady Stanley, late October 1858
TC to James Ballantine, 11 October 1858
TC to James Ballantine, 22 November 1858
TC to UC, 1 February 1859 [not yet pbd.]
TC to Henry Larkin, 26 [25] March 1859
TC to Chapman and Hall, 10 July 1859 [not yet pbd.]
TC to Henry Larkin, 25 August 1859 [not yet pbd.]
JWC to Lady Stanley, 18 September 1859
JWC to Anne Gilchrist, 10 November 1859
TC to Henry Larkin, 24 December 1859 [not yet pbd.]
Ralph Waldo Emerson to TC, 25 April 1860 [not yet pbd.]
TC to Robert Farie, 27 July 1860
JWC to Lady Stanley, 8 August 1860
JWC to Lady Stanley, 20 August 1860
JWC to Lady Stanley, September 1860 [not yet pbd.]
TC to Thomas Erskine, 4 September 1860 [not yet pbd.]
JWC to Lady Stanley, 30 August 1860
JWC to Ann Chamberlayne, 25 December 1861
TC to UC, 6 May 1861 [not yet pbd.]
TC to Henry Larkin, 1 January 1862
JWC to Maria Chamberlayne, 21 August 1862
JWC to Henrietta Stanley, 20 September 1862 [not yet pbd.]
JWC to Lady Stanley, 23 September 1862
JWC to Lady Stanley, 25 September 1862
JWC to Lady Stanley, late January 1863
TC to Messrs Hutchinson, Wine Merchants, 20 July 1863
TC to Moncure Conway, 20 August 1863 [not yet pbd.]
JWC to Maria Chamberlayne, 23 [22] September 1863
TC to Henry Larkin, 19 June 1864
TC to Henry Larkin, 29 August 1864 [not yet pbd.]
JWC to Maria Chamberlayne, 4 January 1865
TC to Henry Larkin, 13 April 1865
TC to Eliza Warren, 4 July 1865
TC to Eliza Warren, 4 July 1865 [not yet pbd.]
JWC to Lady Stanley, 29 July 1865
TC to Eliza Warren, 21 August 1865
JWC to Lady Stanley, 9 December 1865
TC to W.H. Doeg, 23 January 1866
TC, Pass to His Rector’s Installation Address, 26 March 1866 [not yet pbd.]
TC to William Maccall, 2 July 1866
TC to Frederick Chapman, 2 July 1866 [not yet pbd.]
TC to John Reuben Thompson, 10 September 1866
TC to Sarah Warren, 26 December 1866 [not yet pbd.]
TC to Sarah Warren, 21 January 1867
TC to Marianne Alford, 25 October 1867 [not yet pbd.]
TC to Marianne Alford, 28 October 1867 [not yet pbd.]
TC to Sarah Warren, 28 March 1868 [not yet pbd.]
TC to Lady Alford, 31 October 1867
TC to Lady Alford, 4 December 1867
TC to UC, 9 December 1869 [not yet pbd.]
TC to James Dowie, 10 July 1868
TC to Sarah Warren, 10 September 1868 [not yet pbd.]
TC to Sarah Warren, 17 September 1868 [not yet pbd.]
TC to Frederic Chapman, 22 September 1868 [not yet pbd.]
TC to F. Fisher, Esq, 2 March 1869 [not yet pbd.]
TC to Joseph Edgar Boehm, 4 November 1874 [not yet pbd.]
TC to UC, 4 August 1875 [not yet pbd.]
TC to C.H. Hart, 21 December 1875 [not yet pbd.]
John Forrester to UC, 5 September 1893
David A. Wilson to Dr. Murray, 15 April 1922
Alexander Carlyle to Mr. Catford, 13 November 1927
Walter S. Landor to TC
TC to Jean Carlyle Aitken
TC to Sarah Warren
TC to Henry Larkin
JWC to Mrs. Marsh
TC to UC
Joseph Mazzini to UC
Notes from TC to Henry Larkin
MS fragments (2) from Frederick the Great
MS fragment from Shooting Niagara (1867)
MS fragment from Shooting Niagara
MS fragment from Shooting Niagara
MS fragment from Shooting Niagara
MS fragment from Shooting Niagara
Photograph of TC’s attic study at 5 Cheyne Row
These three details from Robert Scott Tait’s painting A Chelsea Interior (1857). Tait’s method, which included preliminary photographs of the scene taken with his “malodourous Photographing Apparatus,” and his constant “fluffing about” (TC to JWC, 26 July 1857) was an unsurprising source of irritation for the Carlyles. In the details, Thomas is depicted standing in front of his drawing-room fireplace loading his pipe. He was an inveterate smoker, and Jane sometimes made him lie on his back in order to blow his smoke up the flue in an attempt to save the house from being enveloped in a tobacco haze. Jane sits pensively at her table looking upon her devoted and beloved Nero, who sits on the couch watching his master. The table and the couch are now joined by the painting, which hangs above their piano, in the drawing room of their home at Cheyne Row, London.